“Youssef Rakha magnificently takes us on an intellectually stimulating and highly entertaining cultural journey through the frustrations and joys of modern Egypt using Shadi Abdel Salam’s masterpiece The Mummy as a tombstone touchstone. This book will be as valuable to creative writers as it is to devotees of cinema or Egypt.” (Mark Cousins, film critic and director of The Story of Film: An Odyssey) Few people write about cinema with such zigzagging bravura or impertinent seriousness not often do we get such a three-dimensional context for a film. Youssef Rakha says that Shadi Abdel Salam’s The Mummy embodies 'a twilight zone of Egyptian modernity.' By writing about patriotism, grief, visual beauty, political entropy, colonialism, and sexuality, he brilliantly takes us into that modernity, that zone. “An electrifying, cubist portrait of a classic film’s place in the world.
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